an art collective

Human Race, Human Waste by Kyle Steele

In Uncategorized on May 20, 2013 at 3:39 am

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Human Race, Human Waste

 

Kyle Steele

 

 

 

In the center of Murry City, Thomas Kelly sits up in his chair—eventually mustering the strength to get up and move around. By all accounts, Thomas’ house is one of the more aesthetically pleasing homes in Murry City. Some say it’s the best in the county! As for me, I never did care much for sharp green wooden shutters. Thomas’ hair is matted and unkempt. Where there once was neatly trimmed, golden brown hair sits a tangled mess. His eyes have become worn and withered—showing the effects of unfiltered thoughts and long-winded rants. As he stands up, Thomas’ back and knees remain in a seated position. He begins a fierce battle with gravity as he drags the bottoms of his feet, heels, and toes across the freshly stained hardwood floor. Gravity wins as Thomas Kelly drops to the ground. This fall is the price for sitting in a chair for 32 days. His leg is a useless mass connected to an ankle that can no longer support the weight of a child’s backpack. As Thomas attempts to stand, his ankles convulse in a rhythmic manner.

 

His attention fades.

 

He forgets about his lack of strength, and becomes fixated with the thought of having bed bugs. Thomas trips over his steps, and stumbles into the bathroom, and begins scrubbing his right arm. After minutes of scrubbing, his skin begins to peel from his now red, once pasty white forearm.

 

It’s quite the sight to see.

 

He scrubs and scrubs and begins yelling at the sponge for not doing enough to rid him from an inevitable future of tiny crab-like bugs crawling through his brain that he can only assume will eventually control his thoughts.

 

We all have our fears.

 

He hears the bed bugs laughing at him. He sees them grinning with delight. The bugs are enjoying themselves! Thomas Kelly contemplates the idea of going to his room, grabbing a shotgun, and blowing his arm into tiny pieces.

 

-That’ll fucking kill bugs.

Says Thomas.

 

-That’ll put em’ in their place.

Continues Thomas.

 

He remembers that he doesn’t own a shotgun.

 

-It’s not worth it, anyhow. Who’s to say they’re only on my arm?

Thinks Thomas.

 

There are no bugs. Maybe they exist…but they’re most certainly not on Thomas Kelly at this present moment in time.

 

Thomas leaves the bathroom and slowly makes his way back to his beloved chair. Thomas isn’t quite sure how old the chair is, though the outdated lime green color hints at it being aged enough that he could assume it might be at least 45. Thomas grabs a notebook that he keeps within arm’s reach on his freshly dusted coffee table. This is the notebook in which Thomas shares his thoughts on current events. He writes heavily about the underground “Mole Army” that is in the midst of planning and executing a harsh and bloody takeover of North America. He’s tried to warn people for years of this fact. He’s written letters to his congressmen, posted fliers around town, and even traveled to New Brunswick, New Jersey in an attempt to track down the Commanding General who Thomas has given the name of Brigadier General Stevenson. He doesn’t know his REAL name, of course. I would never tell Thomas this, be he’s never traveled to New Jersey.

 

Thomas stands up and walks over to a window that overlooks the street in front of his house. Cars whistle by and he wonders where they’re trying to get to with such haste.

 

-It must be nice to have somewhere to be.

He thinks

 

Thomas hasn’t been outside in nearly three weeks. In those three weeks he’s stared at the street on multiple occasions, but needless to say, the world looks different through frosted glass. Each time he hopes to see something that will beckon him to walk through his door. Thomas longs for human companionship. As Thomas scans the landscape his eyes follow a blue jay that is circling his mailbox. The blue jay safely lands on a tree branch fifteen yards from the window Thomas is spying from. The blue jay looks over to Thomas.

 

-Come touch me.

The blue Jay says.

 

Thomas looks around his living room, thinking the sound is someone standing next to him.

 

-Are you talking to me?

Thomas asks.

 

-Who else would I be talking to, silly?

The blue jay responds.

 

Thomas walks over to his door and rotates the oversized knob. The door groans as he slowly opens it. Thomas steps onto his porch as the door slams behind him. The air is  a beautiful 74 degrees Fahrenheit. Thomas steps off his porch and entered his freshly cut yard. He once again made eye contact with the Blue Jay.

 

-I’m going to call you Henry.

Thomas says to the Blue Jay. 

 

Henry smiles.

 

Thomas turns around and walks back to his door, stopping momentarily to ogle his sharp green wooden shudders. He reaches the door and jiggles the doorknob. The door won’t budge. He realizes that the door has locked behind him. He fumbles through his pockets and finds that he has left his keys on the perfectly organized key ring next to his coat and umbrella rack. Henry shows a razor smile to Thomas’ back and flies away. The fluttering of Henry’s wings sends chills down Thomas’ spine as he attempts to accept the reality that he his trapped outside.

 

-I can’t break one of my windows.

Thomas says to the door.

 

-And I certainly can’t kick you down, either.

Thomas continues.

 

-You don’t have the gall to try

The door responds.

 

-I just might.

Thomas responds forcefully.

 

-You wouldn’t dare.

The door responds invitingly.

 

Thomas turns around and scans his yard for Henry. He half wishes he’d come back and assist him in entering his home. Thomas turns around and faces the door again. He looks it up and down—eyeballing sections where paint has chipped away from years of weather abuse. His door is what townspeople describe as being a “Beautiful yellow.” As for me, I never did care much for yellow doors. Thomas wonders if the chipped paint would prove to be an easier entry point. He pounds the door until his hands become beet red and pain stricken.

 

-It’s not going to work, Thomas. Give up.

The door says to Thomas.

-And besides, what’s behind this door that truly interests you?

 

-Nothing, I suppose.

Thomas responds.

 

Thomas drops his hands to his sides and walks away—defeated. He makes the long walk down his driveway and sits on the sidewalk. Thomas’ door opens and out steps a woman with golden brown hair. She’s in her forties. The sunlight reflects off her ivory skin as she looks at Thomas’ back from the doorway.

 

-Thomas?

She yells across the yard.

 

-Yes, Mom?

Thomas responds.

 

-Are you going to come to dinner?

She asks walking towards Thomas.

 

-Do I have to?

Thomas asks.

 

-Yes, Thomas. Now go wash up. And where are your crutches, young man? You know you’re not supposed to be putting a lot of weight on your ankle. It’s still not fully healed. Go sit in the chair. I’ll bring you supper.

She says to Thomas.

 

-Fine.

He responds.

 

Thomas hangs his head as he limps his way towards the bright yellow door.

 

-Until we meet again?

The door asks Thomas as he walks beneath its frame into the house.

 

-Same time tomorrow.

Thomas responds.

The Clouds

In poetry, submissions on September 26, 2012 at 7:26 pm

The clouds move quickly in the night sky. They seem so close and so big, I could almost touch them, feel the mist on my dry fingers. I stretch my hands out, as I have always done, but the clouds are too far, and the wind carries them quick and farther away.

I guess From certain angles, anything can seem like an optical illusion.

The clouds. They drift away as quickly as they came. But they keep coming, intermissions of empty infinite space.

I guess some days are clearer than others.

As The sea is foams from it’s mouth
– Patrick Sugihara Galloway

Neil Krug

In art, graphic design, photography on August 27, 2012 at 9:10 pm

 

Neil Krug is an American artist based in Los Angeles.

Krug has photographed and art directed campaigns for such bands as
My Chemical Romance, Ratatat, Devendra Banhart, Ladytron, The Horrors, Scissor Sisters,
Tame Impala, Gonjasufi, First Aid Kit, Onra, Canyons, Sea Wolf, Juan Atkins, Sinner DC,
The Pierces, Dri, and White Flight.

Krug, in a creative collaboration with Joni (Harbeck) Alexander,
founded PULP ART BOOK wherein his photography and commerical work
can be seen in limited edition prints, books, and films.

Krug has exhibited work in Germany, Los Angeles, Philadelphia, and
plans to release his upcoming feature film INVISIBLE PYRAMID in 2012.